Dr Chris Dromey

Interim Deputy Dean (Research & Knowledge Exchange)

Chris Dromey

  • School Faculty of Arts and Creative Industries

  • Department School of Arts

  • Location London

Current Teaching

Dr Chris Dromey has led BA Music Business & Arts Management since 2006. He previously taught at the Open University, King's College London, the Royal Opera House, and Birkbeck College, University of London. He is Departmental Representative for MusicHE, Education Associate Lead (Middlesex University/Music Managers Forum), Convenor of Music's Concerts & Colloquia series, University Link Tutor (Middlesex University/School of Audio Engineering), Admissions Tutor, and Doctoral Supervisor/Director of Studies. He has served as External Examiner for multiple PhD theses. In his time at Middlesex, Dr Dromey has also led MA Arts Management, MMus Popular Music, and BMus Popular Music, and served on the Faculty Ethics Committee and Faculty REF Reading Panel.


Biography

Dr Chris Dromey is Deputy Dean (Research & Knowledge Exchange) and Associate Professor in Music Business and Arts Management. His latest edited collection, The Routledge Companion to Applied Musicology, was published in 2023. He was co-editor (with Julia Haferkorn) of The Classical Music Industry (Routledge,2018) and has contributed articles, chapters, and essays to Musics With and After Tonality: Mining the Gap (Routledge, 2022), Stravinsky inContext (CambridgeUniversity Press, 2021), Tempo (onGrupo Novo Horizonte de São Paulo, 1988–99), Music in the Social andBehavioral Sciences (SAGE, 2014),British Music and Modernism, 1895–1960 (Ashgate,2010), New Makers of Modern Culture(Routledge, 2007), and Zemlinsky Studies(Middlesex University Press, 2007). His monograph The PierrotEnsembles: Chronicle and Catalogue, 1912–2012 (Plumbago, 2013) celebratedthe centenary and examined the influence of Arnold Schoenberg’s Pierrotlunaire. Dr Dromey also writes programmenotes for Kings Place, London, gives pre-concert talks at UK music festivals, served as a Trustee of the Society for MusicAnalysis for over ten years, and is an active pianist and organist.

Publications

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